£7.99 – £19.99
|Year of Composition||2019|
|Forces||fl/picc, fl, 2ob, 2cl, 2bn, 2hn, 2tpt, 2tbn, tba, 3perc, strings|
|Categories (all composers)||Orchestra|
Par Ciel (by sky), a wordplay on partiels (partials), is inspired by the rain. Structured on multiple temporal groupings of pitches as well as on combinations of different registers of harmonics derived from the pitches of the three motifs utilised, the music reflects various sounds of drops initially resembling accidentally occurring tones. They conspire, combine with each other and accumulate to create snapshots and fragments of rainfall that is gradually transformed into blocks of moving, overlapping and palindromic harmonic progressions.
The piece highlights the breakdown of the orchestra’s aggregate sound and color into thin instrumental combinations set against thick(er) harmonic blocks. I perceived drops of rain as particles of a larger water mass and I compared them to partials of sound. They emerge and vanish as entities, which create their own structure, duration, density of texture, intensity, register and patterned formations.