observation one [ovington down]
for string quartet
£47.99 – £67.99
for string quartet
|Year of Composition||2015|
|Categories (all composers)||Chamber, String Quartet, Strings|
Dedicated to Sadie Harrison on her 50th. birthday.
Composer-in-Residence to the Observatory: 4 site-specifically inspired string quartets across four residency locations in two years:
As a composer and painter, I have a deeply held interest in the psychological and perceptual/ emotional/intuitive associations between these two media and how ideas can be transacted one to the other. As well as creating four new string quartets I will also keep a video diary of the residency and creative experience, make sketches and paintings (on location) of the built and natural landscape features to explore transduction between the physical environment and sound construction transforming (intuitively) visual ideas into notation – landscape into sound. More here :: http://www.marc-yeats.com/blog/category/composer-in-residence-to-the-observatory/
“Marc’s intention is to compose new, experimental, string quartets inspired by the various residency locations is an excellent fit with the ethos of the project and will enhance both its scope and impact as a result of his aim to focus on all four Observatory sites across the two-year period of the project, bringing a new perspective to the single site focus of the other appointed artists-in-residence. As an artist with an established track record in musical composition, Marc is bringing a new element to the project in an artform that is not represented in the artists appointed to date. Year One of the project will engage with the residencies in the Observatory at Winchester Science Centre and Lymington/Keyhaven, Hampshire”.
The opportunity to look in, look out, up, down and around; to explore the work of other artists in residence and use these observations, themes, sounds and discoveries to build my own string quartet compositions, paintings and sketches, site-specifically informed, is a fantastic new opportunity to build work in relation to the Observatory, the land and what it inspires. The four Observatory quartets will be freestanding, independent works forming a much larger-scale composition reflecting my experiences across all four residency locations. This first residency is based in the heart of rolling chalk landscape and the very particular scenery, geology, archaeology, flora and fauna it supports. I already have a deep affinity and love for this ‘species’ of landscape but still have no idea how the processes of composition and its underpinning research, including paintings and sketching will develop and reflect these qualities. I have an open mind about what I will encounter and what will interest and stimulate my imagination to create new work. It is both exciting and a little scary. It’s certainly a big adventure.