Prometheus Bound

for solo trombone and chamber orchestra

Michael Cryne

Logged-in user discounts applied
Log in to get discounts (now or at checkout)
Ask us about multi-copy choral discounts


for solo trombone and chamber orchestra

Ask about this work
Composer Michael Cryne
Year of Composition 2016
Duration ca.7'
ISMN 9790570680184



Categories (all composers) ,
Catalogue ID ce-mc1pb1


Prometheus Bound takes its title from the ancient Greek drama commonly attributed to Aeschylus (c. 524 – c.456 BC). Prometheus was a titan who defied Zeus by stealing fire and thwarting Zeus’ plans to destroy the human race. He was subsequently punished by being chained to a rocky mountain.

Most of the harmonic material has been created from a combination of Scriabin’s ‘Prometheus’ or ‘mystic’ chord – pitches C, F♯, B♭, E, A and D and the scale from which it can be derived, known commonly as the overtone or acoustic scale. Almost all of the trombone’s material is constructed from this scale (including transpositions onto each of the pitches of the Prometheus chord).

The broad structure of the drama is used to help shape the piece – various interlocutors: Oceanids, the Titan Oceanus, Io, and finally Hermes, interact with Prometheus. Rather than being programmatic, the piece instead is constructed around the idea of protagonist (trombone) and interlocutors (the ensemble) interacting. The character of each interaction is determined by the interlocutor. Hermes, for example, is hostile and aggressive, and the music reflects this; chromatic manipulations of the Prometheus chord create a substantial degree of harmonic instability, whereas the Oceanids are much more sympathetic to Prometheus’ plight, and the harmonic ‘flavour’ of the overtone scale becomes much clearer.

This work is also available for trombone and piano. Click here for more details.